Sing a New Song, or At Least Some New Words
I’ll bring you more than a song, for a song in itself is not what you have required.
Cliches are bad in writing. Really bad. Why? Because they’ve been used so many times that we no longer think about the meaning. Seriously, when you hear the phrase “filthy rich,” do you imagine someone dirty? “Dead as a doornail.” Anyone thinking of an actual nail? How about when I say “tough as nails”? It actually takes extra work for us to remember there’s an image there.
When these, and thousands of other cliched phrases, were first used, they were strong images that made people really think about what the speaker meant. Now we’ve heard them so many times they are meaningless — almost worse than simply saying rich, dead, or tough.
Worship songs have their own sets of cliches. Praise the Lord. He is exalted. Glory to the Most High. With all my heart. You are worthy. We’ve sung these and many other lines so so many times that they have lost all meaning. Or at least, we have to work really hard to think about what it is we’re singing.
Worship is hard enough. It’s so easy to fall into the music and stop thinking. But worship is more than music. It’s about our hearts, and whether we like it or not, our hearts are often directed by our brains. If we stop thinking about what we’re singing, our minds wander to something else and — what do you know? — our hearts are no longer in the worship.
Cliches compound this problem. They’re easy to write because they’re the first things that come to mind. The same old phrases, the same Christianese quotes from Psalms (etc) that we’ve been singing all our lives. This is one reason we are encouraged to sing new songs. Sometimes old songs can remind us of what God’s done in our lives, but very often they become just old songs. New songs — well-written ones — help us think about what we’re saying and why we’re saying it.
The danger in me telling you this, of course, is that we’ll get down on all our old worship songs or on tired phrasing. That’s not my point. The only thing worse than not thinking about what you’re singing is to think about everything that’s wrong with what you’re singing.
No. My points are these: (1) If you write songs, don’t take the easy route. Read over what you’ve written and cross out all the cliches. Then find a new way to say what you really meant to say.
(2) And if you sing songs, think about what you’re singing. If the current song is filled with meaningless words it makes your job harder, but it’s still your job. It’s your mouth. Don’t open it if you don’t know what’s coming out.



